Collection: Anim: Katorse

A New Ground for Seeing
๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’๐’”๐’‚, ๐‘ซ๐’‚๐’๐’•๐’† ๐‘ฌ๐’๐’‚๐’ˆ๐’†, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘ฎ๐’๐’๐’›๐’‚๐’๐’†๐’”, ๐‘ซ๐’‚๐’“๐’˜๐’Š๐’ ๐‘ฎ๐’–๐’†๐’—๐’‚๐’“๐’“๐’‚, ๐‘ณ๐’‚๐’“๐’‚ ๐‘ณ๐’‚๐’•๐’๐’”๐’‚, ๐‘ด๐’‚๐’Š๐’‚ ๐‘ด๐’‚๐’ˆ๐’‘๐’‚๐’๐’•๐’‚๐’š, ๐‘ด๐’‚๐’“๐’š ๐‘ฑ๐’๐’š ๐‘ฎ๐’, ๐‘บ๐’–๐’Ž๐’Ž๐’†๐’“ ๐‘ท๐’‚๐’”๐’‚๐’๐’‚, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘น๐’†๐’ˆ๐’Š๐’”, ๐‘จ๐’๐’ˆ๐’†๐’๐’ ๐‘น๐’๐’™๐’‚๐’”, ๐‘ฝ๐’‚๐’๐’†๐’“๐’Š๐’† ๐‘ป๐’†๐’๐’ˆ, ๐’‚๐’๐’… ๐‘น๐’‚๐’†๐’„๐’‰๐’† arrive here from different points in their artistic lives. Some have been working for many years; others have taken more recent paths into painting and image-making. There are practices that have accumulated, practices that have shifted, and practices still finding their direction.
๐‘Šโ„Ž๐‘Ž๐‘ก ๐‘š๐‘Ž๐‘ก๐‘ก๐‘’๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘คโ„Ž๐‘Ž๐‘ก โ„Ž๐‘Ž๐‘๐‘๐‘’๐‘›๐‘  ๐‘คโ„Ž๐‘’๐‘› ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘‘๐‘–๐‘“๐‘“๐‘’๐‘Ÿ๐‘’๐‘›๐‘๐‘’๐‘  ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘™๐‘Ž๐‘๐‘’๐‘‘ ๐‘ก๐‘œ๐‘”๐‘’๐‘กโ„Ž๐‘’๐‘Ÿ.
The works move through the familiarโ€”figures, objects, flowers, landscapes, imagined scenes, the physical act of paintingโ€”but rarely leave them as they are first encountered. An image can become more than its subject. A material can carry its own meaning. A familiar form can be pushed toward memory, atmosphere, play, tension, or something less easily named.
This is where Katorse becomes interesting.
Its value is not in making fourteen artists share a style, but in allowing their differences to change the way each work is seen.
The longer histories of Camille Dela Rosa, Maia Magpantay, Dante Enage, Jeff Dahilan, Darwin Guevarra, Christian Regis, Lara Latosa, and Raeche meet the different trajectories of Kutz De Jesus, Christian Gonzales, Mary Joy Go, Summer Pasana, Angelo Roxas, and Valerie Teng. They are not arranged here to establish who comes first or who comes next. Their practices simply occupy the same ground, and that proximity gives each work another context.
Anim: Katorse

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